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Baggerånås, Liv et al. Produksjonsplanlegging Og Produksjonsledelse i Fjernsyn: Håndbok for Produksjonsledere. Bærum: Vett & Viten ; i samarbeid med Norsk rikskringkasting, Opplæringsavdelingen, 1993. Print.
Bechky, Beth A. ‘Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations.’ Organization Science 17.1 (2006): 3–21. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=19992130&site=ehost-live>.
Blair, H. ‘`You’re Only as Good as Your Last Job’: The Labour Process and Labour Market in the British Film Industry’. Work, Employment & Society 15.1 (2001): 149–169. Web. <http://journals.sagepub.com./doi/abs/10.1177/09500170122118814>.
Brook, George. ‘2004 Student Paper Award Winner : Surviving the Roller Coaster: Worst Practices in Project Management within the Television Production Industry’. Project Management Journal 36.1 (2005): 5–14. Web.
Brown, Blain. Motion Picture and Video Lighting. Third edition. London: Routledge, 2018. Web. <https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5582997>.
Caves, Richard E. ‘Contracts Between Art and Commerce.’ Journal of Economic Perspectives 17.2 (2003): n. pag. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=10012635&site=ehost-live>.
Cialdini, Robert B. ‘Harnessing the Science of Persuasion.’ Harvard Business Review 79.9 (2001): 72–79. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329110&site=ehost-live>.
Clevé, Bastian. Film Production Management: How to Budget, Organize, and Successfully Shoot Your Film. Fourth edition. New York: Routledge, Taylor & Francis Group, 2018. Web. <https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5089135>.
Copley, Soozie, and Philippa Killner. Stage Management. Marlborough: Crowood, 2001. Print.
Daft, Richard L. ‘Structural Design for Organizations’. Understanding the Theory & Design of Organizations. 11th ed. Australia: South-Western, 2012. 68–119. Print.
De Paoli, Donatella. ‘Virtual Organizations – a Call for New Leadership’. Leadership in Spaces and Places. Cheltenham: Edward Elgar. 109–127. Web. <https://ebookcentral.proquest.com/lib/bilibrary/reader.action?docID=3563687&ppg=121>.
DeFillippi, Robert J., and Michael Arthur. ‘Paradox in Project- Based Enterprise: The Case of Film Making’. California Management Review 40.2 125–139. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=348756&site=ehost-live>.
Dempster, Anna M. ‘An Operational Risk Framework for the Performing Arts and Creative Industries.’ Creative Industries Journal 1.2 (2008): 151–170. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=41994708&site=ehost-live>.
Ebbers, Joris J, and Nachoem M Wijnberg. ‘Betwixt and between: Role Conflict, Role Ambiguity and Role Definition in Project-Based Dual-Leadership Structures’. Human Relations 70.11 (2017): 1342–1365. Web.
Elstad, Beate, and Donatella De Paoli. Organisering Og Ledelse Av Kunst Og Kultur. 2. utg. [Oslo]: Cappelen Damm akademisk, 2014. Print.
Fischer, Bill, and Andy Boynton. ‘Virtuoso Teams’. Harvard Business Review 83.7 (2005): 116–123. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=17602045&site=ehost-live>.
Gillet, Cary, and Jay Sheehan. The Production Manager’s Toolkit: Successful Production Management in Theatre and the Performing Arts. London: Routledge, 2017. Web. <http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1290157>.
Goodman, Richard Alan, and Lawrence Peter Goodman. ‘Some Management Issues in Temporary Systems: A Study of Professional Development and Manpower--The Theater Case.’ Administrative Science Quarterly 21.3 494–501. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4014386&site=ehost-live>.
Grillo, Michael. ‘Production Management’. The Movie Business Book. Fourth edition. New York: Focal Press, 2016. 223–243. Web. <https://ebookcentral.proquest.com/lib/bilibrary/reader.action?docID=4626287&ppg=248>.
Hargadon, Andrew B., and Beth A. Bechky. ‘When Collections of Creatives Become Creative Collectives: A Field Study of Problem Solving at Work.’ Organization Science 17.4 (2006): 484–500. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21898765&site=ehost-live>.
Hurley, Robert F. ‘The Decision to Trust.’ Harvard Business Review 84.9 (2006): 55–62. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21882950&site=ehost-live>.
Isaacs, William. Dialogue and the Art of Thinking Together: A Pioneering Approach to Communicating in Business and in Life. New York: Currency, 1999. Web. <https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5337256>.
Jones, Candace, and Robert J. DeFillippi. ‘Back to the Future in Film: Combining Industry and Self-Knowledge to Meet the Career Challenges of the 21st Century.’ Academy of Management Executive 10.4 89–103. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=3145322&site=ehost-live>.
Karlsen, Jan Terje. Prosjektledelse: Fra Initiering Til Gevinstrealisering. 4. utg. Oslo: Universitetsforl. Print.
Koster, Robert. The Budget Book for Film and Television. 2nd ed. Amsterdam: Focal Press, 2004. Web. <http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=195641>.
Kramer, Roderick M. ‘Rethinking Trust.’ Harvard Business Review 87.6 (2009): 68–77. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=40210998&site=ehost-live>.
Lindgren, Monica, and Johann Packendorff. ‘Performing Arts and the Art of Performing â On Co-Construction of Project Work and Professional Identities in Theatres’. International Journal of Project Management 25.4 (2007): 354–364. Web. <http://www.sciencedirect.com./science/article/pii/S0263786307000075>.
Løwendahl, Bente R., Fred Wenstøp, and Siyu Chen. Skriv Gode Oppgaver! 2. utg. [Oslo]: Cappelen Damm akademisk, 2013. Print.
Mitchell, Leslie. Production Management for Television. Media skills. London: Routledge, 2009. Web. <http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=266299>.
Morris, M. ‘Genius at Work.’ Harvard Business Review 79.9 (2001): 63–68. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329095&site=ehost-live>.
Mumford, Michael D et al. ‘Leading Creative People: Orchestrating Expertise and Relationships’. The Leadership Quarterly 13.6 (2002): 705–750. Web. <http://www.sciencedirect.com/science/article/pii/S1048984302001583>.
Murphy, Susan Elaine, and Ellen A. Ensher. ‘A Qualitative Analysis of Charismatic Leadership in Creative Teams: The Case of Television Directors’. The Leadership Quarterly 19.3 (2008): 335–352. Web. <http://www.sciencedirect.com/science/article/pii/S1048984308000301>.
Pallin, Gail. Stage Management: The Essential Handbook. New ed. London: Nick Hern Books, 2010. Web. <https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5101804>.
Pearson, Christine M., and Judith A. Clair. ‘Reframing Crisis Management.’ Academy of Management Review 23.1 (1998): 59–76. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=192960&site=ehost-live>.
Petter Gottschalk. ‘Hva Er et Verdiverksted?’ Magma 5 (2006): n. pag. Web. <https://www.magma.no/hva-er-et-verdiverksted>.
Ramaswamy, Venkat, and Francis Gouillart. ‘Building the Co-Creative Enterprise.’ Harvard Business Review 88.10 (2010): 100–109. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=53878110&site=ehost-live>.
Reardon, Kathleen K. ‘Courage as a Skill.’ Harvard Business Review 85.1 (2007): 58–64. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=23363459&site=ehost-live>.
Reiter-Palmon, Roni, and Jody J. Illies. ‘Leadership and Creativity: Understanding Leadership from a Creative Problem-Solving Perspective’. The Leadership Quarterly 15.1 (2004): 55–77. Web. <http://www.sciencedirect.com./science/article/pii/S1048984303001024>.
Rizzo, Michael. The Art Direction Handbook for Film & Television. 2nd ed. New York: Focal Press, 2015. Web. <http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=812756>.
Roberto, Michael A., Richard M. J. Bohmer, and Amy C. Edmondson. ‘Facing Ambiguous Threats’. Harvard Business Review 84.11 (2006): 106–113. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=22671298&site=ehost-live>.
Rothman, T. ‘A Chairman’s View’. The Movie Business Book. 3rd ed. Maidenhead: Open University Press, 2006. 148–159. Print.
Sebenius, James K. ‘Six Habits of Merely Effective Negotiators’. Harvard Business Review 79.4 (2001): 87–95. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4288815&site=ehost-live>.
Sending, Aage, and Tor Tangenes. Økonomistyring. Bergen: Fagbokforl, 2019. Print.
Taleb, Nassim N., Daniel G. Goldstein, and Mark W. Spitznagel. ‘The Six Mistakes Executives Make in Risk Management.’ Harvard Business Review 87.10 (2009): 78–81. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=44284072&site=ehost-live>.
Terje Gaustad. ‘Sweetening the Deal: To What Extent Can Public Funding Attract Private Film Investors?’ Nordicom Review 30.2 179–197. Web. <https://content.sciendo.com/view/journals/nor/30/2/article-p179.xml>.
Wheeler, Paul. Practical Cinematography. 2nd ed. Amsterdam: Focal Press, 2005. Web. <http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=130106>.
Zettl, Herbert. Television Production Handbook + Workbook. 11th ed., International ed. Australia: Wadsworth Cengage Learning. Print.
