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Blair H. `You’re only as Good as Your Last Job’: The Labour Process and Labour Market in the British Film Industry. Work, Employment & Society. 2001;15(1):149-169. doi:10.1177/09500170122118814
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Brook G. 2004 Student Paper Award Winner : Surviving the Roller Coaster: Worst Practices in Project Management within the Television Production Industry. Project Management Journal. 2005;36(1):5-14. doi:10.1177/875697280503600102
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Cialdini RB. Harnessing the Science of Persuasion. Harvard Business Review. 2001;79(9):72-79. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329110&site=ehost-live
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DeFillippi RJ, Arthur M. Paradox in Project- Based Enterprise: The case of film making. California Management Review. 40(2):125-139. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=348756&site=ehost-live
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Dempster AM. An Operational Risk Framework for the Performing Arts and Creative Industries. Creative Industries Journal. 2008;1(2):151-170. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=41994708&site=ehost-live
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Fischer B, Boynton A. Virtuoso Teams. Harvard Business Review. 2005;83(7):116-123. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=17602045&site=ehost-live
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Ebbers JJ, Wijnberg NM. Betwixt and between: Role conflict, role ambiguity and role definition in project-based dual-leadership structures. Human Relations. 2017;70(11):1342-1365. doi:10.1177/0018726717692852
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Goodman RA, Goodman LP. Some Management Issues in Temporary Systems: A Study of Professional Development and Manpower--The Theater Case. Administrative Science Quarterly. 21(3):494-501. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4014386&site=ehost-live
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Hargadon AB, Bechky BA. When Collections of Creatives Become Creative Collectives: A Field Study of Problem Solving at Work. Organization Science. 2006;17(4):484-500. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21898765&site=ehost-live
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Hurley RF. The Decision to Trust. Harvard Business Review. 2006;84(9):55-62. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21882950&site=ehost-live
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Jones C, DeFillippi RJ. Back to the future in film: Combining industry and self-knowledge to meet the career challenges of the 21st century. Academy of Management Executive. 10(4):89-103. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=3145322&site=ehost-live
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Kramer RM. Rethinking Trust. Harvard Business Review. 2009;87(6):68-77. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=40210998&site=ehost-live
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Lindgren M, Packendorff J. Performing arts and the art of performing â On co-construction of project work and professional identities in theatres. International Journal of Project Management. 2007;25(4):354-364. http://www.sciencedirect.com./science/article/pii/S0263786307000075
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Morris M. Genius at Work. Harvard Business Review. 2001;79(9):63-68. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329095&site=ehost-live
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Mumford MD, Scott GM, Gaddis B, Strange JM. Leading creative people: Orchestrating expertise and relationships. The Leadership Quarterly. 2002;13(6):705-750. http://www.sciencedirect.com/science/article/pii/S1048984302001583
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Murphy SE, Ensher EA. A qualitative analysis of charismatic leadership in creative teams: The case of television directors. The Leadership Quarterly. 2008;19(3):335-352. http://www.sciencedirect.com/science/article/pii/S1048984308000301
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Pearson CM, Clair JA. Reframing Crisis Management. Academy of Management Review. 1998;23(1):59-76. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=192960&site=ehost-live
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Ramaswamy V, Gouillart F. Building the Co-Creative Enterprise. Harvard Business Review. 2010;88(10):100-109. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=53878110&site=ehost-live
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Reardon KK. Courage as a Skill. Harvard Business Review. 2007;85(1):58-64. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=23363459&site=ehost-live
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Reiter-Palmon R, Illies JJ. Leadership and creativity: Understanding leadership from a creative problem-solving perspective. The Leadership Quarterly. 2004;15(1):55-77. http://www.sciencedirect.com./science/article/pii/S1048984303001024
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Roberto MA, Bohmer RMJ, Edmondson AC. Facing Ambiguous Threats. Harvard Business Review. 2006;84(11):106-113. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=22671298&site=ehost-live
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Sebenius JK. Six habits of merely effective negotiators. Harvard Business Review. 2001;79(4):87-95. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4288815&site=ehost-live
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Taleb NN, Goldstein DG, Spitznagel MW. The Six Mistakes Executives Make in Risk Management. Harvard Business Review. 2009;87(10):78-81. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=44284072&site=ehost-live
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Petter Gottschalk. Hva er et verdiverksted? Magma. 2006;(5). https://www.magma.no/hva-er-et-verdiverksted
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Grillo M. Production management. In: The Movie Business Book. Fourth edition. Focal Press; 2016:223-243. https://ebookcentral.proquest.com/lib/bilibrary/reader.action?docID=4626287&ppg=248
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Rothman T. A Chairman’s View. In: The Movie Business Book. 3rd ed. Open University Press; 2006:148-159.
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Terje Gaustad. Sweetening the Deal: To what Extent can Public Funding Attract Private Film Investors? Nordicom Review. 30(2):179-197. doi:https://doi.org/10.1515/nor-2017-0158
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Baggerånås L, Øyen J, Schnell T, Staff H. Produksjonsplanlegging Og Produksjonsledelse i Fjernsyn: Håndbok for Produksjonsledere. Vett & Viten ; i samarbeid med Norsk rikskringkasting, Opplæringsavdelingen; 1993.
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Brown B. Motion Picture and Video Lighting. Third edition. Routledge; 2018. https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5582997
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Clevé B. Film Production Management: How to Budget, Organize, and Successfully Shoot Your Film. Fourth edition. Routledge, Taylor & Francis Group; 2018. https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5089135
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Elstad B, De Paoli D. Organisering Og Ledelse Av Kunst Og Kultur. 2. utg. Cappelen Damm akademisk; 2014.
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Koster R. The Budget Book for Film and Television. 2nd ed. Focal Press; 2004. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=195641
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Rizzo M. The Art Direction Handbook for Film & Television. 2nd ed. Focal Press; 2015. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=812756
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Copley S, Killner P. Stage Management. Crowood; 2001.
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Mitchell L. Production Management for Television. Vol Media skills. Routledge; 2009. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=266299
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Zettl H. Television Production Handbook + Workbook. 11th ed., International ed. Wadsworth Cengage Learning
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Wheeler P. Practical Cinematography. 2nd ed. Focal Press; 2005. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=130106
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Pallin G. Stage Management: The Essential Handbook. New ed. Nick Hern Books; 2010. https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5101804