[1]
N. B. Andersson, Filmens hjerte: produksjonskontoret. Bergen: Fagbokforl.
[2]
C. Gillet and J. Sheehan, The production manager’s toolkit: successful production management in theatre and the performing arts. London: Routledge, 2017. Available: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1290157
[3]
W. Isaacs, Dialogue and the art of thinking together: a pioneering approach to communicating in business and in life. New York: Currency, 1999. Available: https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5337256
[4]
J. T. Karlsen, Prosjektledelse: fra initiering til gevinstrealisering, 4. utg. Oslo: Universitetsforl.
[5]
A. Sending and T. Tangenes, Økonomistyring. Bergen: Fagbokforl, 2019.
[6]
B. R. Løwendahl, F. Wenstøp, and S. Chen, Skriv gode oppgaver!, 2. utg. [Oslo]: Cappelen Damm akademisk, 2013.
[7]
B. A. Bechky, ‘Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations.’, Organization Science, vol. 17, no. 1, pp. 3–21, 2006, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=19992130&site=ehost-live
[8]
H. Blair, ‘`You’re only as Good as Your Last Job’: The Labour Process and Labour Market in the British Film Industry’, Work, Employment & Society, vol. 15, no. 1, pp. 149–169, Mar. 2001, doi: 10.1177/09500170122118814. Available: http://journals.sagepub.com./doi/abs/10.1177/09500170122118814
[9]
G. Brook, ‘2004 Student Paper Award Winner : Surviving the Roller Coaster: Worst Practices in Project Management within the Television Production Industry’, Project Management Journal, vol. 36, no. 1, pp. 5–14, Mar. 2005, doi: 10.1177/875697280503600102
[10]
R. E. Caves, ‘Contracts Between Art and Commerce.’, Journal of Economic Perspectives, vol. 17, no. 2, 2003, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=10012635&site=ehost-live
[11]
R. B. Cialdini, ‘Harnessing the Science of Persuasion.’, Harvard Business Review, vol. 79, no. 9, pp. 72–79, 2001, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329110&site=ehost-live
[12]
R. J. DeFillippi and M. Arthur, ‘Paradox in Project- Based Enterprise: The case of film making’, California Management Review, vol. 40, no. 2, pp. 125–139, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=348756&site=ehost-live
[13]
A. M. Dempster, ‘An Operational Risk Framework for the Performing Arts and Creative Industries.’, Creative Industries Journal, vol. 1, no. 2, pp. 151–170, 2008, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=41994708&site=ehost-live
[14]
B. Fischer and A. Boynton, ‘Virtuoso Teams’, Harvard Business Review, vol. 83, no. 7, pp. 116–123, 2005, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=17602045&site=ehost-live
[15]
J. J. Ebbers and N. M. Wijnberg, ‘Betwixt and between: Role conflict, role ambiguity and role definition in project-based dual-leadership structures’, Human Relations, vol. 70, no. 11, pp. 1342–1365, Nov. 2017, doi: 10.1177/0018726717692852
[16]
R. A. Goodman and L. P. Goodman, ‘Some Management Issues in Temporary Systems: A Study of Professional Development and Manpower--The Theater Case.’, Administrative Science Quarterly, vol. 21, no. 3, pp. 494–501, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4014386&site=ehost-live
[17]
A. B. Hargadon and B. A. Bechky, ‘When Collections of Creatives Become Creative Collectives: A Field Study of Problem Solving at Work.’, Organization Science, vol. 17, no. 4, pp. 484–500, 2006, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21898765&site=ehost-live
[18]
R. F. Hurley, ‘The Decision to Trust.’, Harvard Business Review, vol. 84, no. 9, pp. 55–62, 2006, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21882950&site=ehost-live
[19]
C. Jones and R. J. DeFillippi, ‘Back to the future in film: Combining industry and self-knowledge to meet the career challenges of the 21st century.’, Academy of Management Executive, vol. 10, no. 4, pp. 89–103, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=3145322&site=ehost-live
[20]
R. M. Kramer, ‘Rethinking Trust.’, Harvard Business Review, vol. 87, no. 6, pp. 68–77, 2009, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=40210998&site=ehost-live
[21]
M. Lindgren and J. Packendorff, ‘Performing arts and the art of performing â On co-construction of project work and professional identities in theatres’, International Journal of Project Management, vol. 25, no. 4, pp. 354–364, May 2007, Available: http://www.sciencedirect.com./science/article/pii/S0263786307000075
[22]
M. Morris, ‘Genius at Work.’, Harvard Business Review, vol. 79, no. 9, pp. 63–68, 2001, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329095&site=ehost-live
[23]
M. D. Mumford, G. M. Scott, B. Gaddis, and J. M. Strange, ‘Leading creative people: Orchestrating expertise and relationships’, The Leadership Quarterly, vol. 13, no. 6, pp. 705–750, Dec. 2002, Available: http://www.sciencedirect.com/science/article/pii/S1048984302001583
[24]
S. E. Murphy and E. A. Ensher, ‘A qualitative analysis of charismatic leadership in creative teams: The case of television directors’, The Leadership Quarterly, vol. 19, no. 3, pp. 335–352, June 2008, Available: http://www.sciencedirect.com/science/article/pii/S1048984308000301
[25]
C. M. Pearson and J. A. Clair, ‘Reframing Crisis Management.’, Academy of Management Review, vol. 23, no. 1, pp. 59–76, 1998, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=192960&site=ehost-live
[26]
V. Ramaswamy and F. Gouillart, ‘Building the Co-Creative Enterprise.’, Harvard Business Review, vol. 88, no. 10, pp. 100–109, 2010, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=53878110&site=ehost-live
[27]
K. K. Reardon, ‘Courage as a Skill.’, Harvard Business Review, vol. 85, no. 1, pp. 58–64, 2007, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=23363459&site=ehost-live
[28]
R. Reiter-Palmon and J. J. Illies, ‘Leadership and creativity: Understanding leadership from a creative problem-solving perspective’, The Leadership Quarterly, vol. 15, no. 1, pp. 55–77, Feb. 2004, Available: http://www.sciencedirect.com./science/article/pii/S1048984303001024
[29]
M. A. Roberto, R. M. J. Bohmer, and A. C. Edmondson, ‘Facing Ambiguous Threats’, Harvard Business Review, vol. 84, no. 11, pp. 106–113, 2006, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=22671298&site=ehost-live
[30]
J. K. Sebenius, ‘Six habits of merely effective negotiators’, Harvard Business Review, vol. 79, no. 4, pp. 87–95, 2001, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4288815&site=ehost-live
[31]
N. N. Taleb, D. G. Goldstein, and M. W. Spitznagel, ‘The Six Mistakes Executives Make in Risk Management.’, Harvard Business Review, vol. 87, no. 10, pp. 78–81, 2009, Available: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=44284072&site=ehost-live
[32]
Petter Gottschalk, ‘Hva er et verdiverksted?’, Magma, no. 5, 2006, Available: https://www.magma.no/hva-er-et-verdiverksted
[33]
R. L. Daft, ‘Structural design for organizations’, in Understanding the theory & design of organizations, 11th ed.Australia: South-Western, 2012, pp. 68–119.
[34]
D. De Paoli, ‘Virtual organizations – a call for new leadership’, in Leadership in spaces and places, Cheltenham: Edward Elgar, pp. 109–127. Available: https://ebookcentral.proquest.com/lib/bilibrary/reader.action?docID=3563687&ppg=121
[35]
M. Grillo, ‘Production management’, in The Movie Business Book, Fourth edition.New York: Focal Press, 2016, pp. 223–243. Available: https://ebookcentral.proquest.com/lib/bilibrary/reader.action?docID=4626287&ppg=248
[36]
T. Rothman, ‘A Chairman’s View’, in The Movie business book, 3rd ed.Maidenhead: Open University Press, 2006, pp. 148–159.
[37]
Terje Gaustad, ‘Sweetening the Deal: To what Extent can Public Funding Attract Private Film Investors?’, Nordicom Review, vol. 30, no. 2, pp. 179–197, doi: https://doi.org/10.1515/nor-2017-0158. Available: https://content.sciendo.com/view/journals/nor/30/2/article-p179.xml
[38]
L. Baggerånås, J. Øyen, T. Schnell, and H. Staff, Produksjonsplanlegging og produksjonsledelse i fjernsyn: håndbok for produksjonsledere. Bærum: Vett & Viten ; i samarbeid med Norsk rikskringkasting, Opplæringsavdelingen, 1993.
[39]
B. Brown, Motion picture and video lighting, Third edition. London: Routledge, 2018. Available: https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5582997
[40]
B. Clevé, Film production management: how to budget, organize, and successfully shoot your film, Fourth edition. New York: Routledge, Taylor & Francis Group, 2018. Available: https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5089135
[41]
B. Elstad and D. De Paoli, Organisering og ledelse av kunst og kultur, 2. utg. [Oslo]: Cappelen Damm akademisk, 2014.
[42]
R. Koster, The budget book for film and television, 2nd ed. Amsterdam: Focal Press, 2004. Available: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=195641
[43]
M. Rizzo, The art direction handbook for film & television, 2nd ed. New York: Focal Press, 2015. Available: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=812756
[44]
S. Copley and P. Killner, Stage management. Marlborough: Crowood, 2001.
[45]
L. Mitchell, Production management for television, vol. Media skills. London: Routledge, 2009. Available: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=266299
[46]
H. Zettl, Television production handbook + workbook, 11th ed., International ed. Australia: Wadsworth Cengage Learning.
[47]
P. Wheeler, Practical cinematography, 2nd ed. Amsterdam: Focal Press, 2005. Available: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=130106
[48]
G. Pallin, Stage management: the essential handbook, New ed. London: Nick Hern Books, 2010. Available: https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5101804