Andersson, N. B. (n.d.). Filmens hjerte: produksjonskontoret. Fagbokforl.
Baggerånås, L., Øyen, J., Schnell, T., & Staff, H. (1993). Produksjonsplanlegging og produksjonsledelse i fjernsyn: håndbok for produksjonsledere. Vett & Viten ; i samarbeid med Norsk rikskringkasting, Opplæringsavdelingen.
Bechky, B. A. (2006). Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations. Organization Science, 17(1), 3–21. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=19992130&site=ehost-live
Blair, H. (2001). `You’re only as Good as Your Last Job’: The Labour Process and Labour Market in the British Film Industry. Work, Employment & Society, 15(1), 149–169. https://doi.org/10.1177/09500170122118814
Brook, G. (2005). 2004 Student Paper Award Winner : Surviving the Roller Coaster: Worst Practices in Project Management within the Television Production Industry. Project Management Journal, 36(1), 5–14. https://doi.org/10.1177/875697280503600102
Brown, B. (2018). Motion picture and video lighting (Third edition). Routledge. https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5582997
Caves, R. E. (2003). Contracts Between Art and Commerce. Journal of Economic Perspectives, 17(2). http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=10012635&site=ehost-live
Cialdini, R. B. (2001). Harnessing the Science of Persuasion. Harvard Business Review, 79(9), 72–79. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329110&site=ehost-live
Clevé, B. (2018). Film production management: how to budget, organize, and successfully shoot your film (Fourth edition). Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5089135
Copley, S., & Killner, P. (2001). Stage management. Crowood.
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DeFillippi, R. J., & Arthur, M. (n.d.). Paradox in Project- Based Enterprise: The case of film making. California Management Review, 40(2), 125–139. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=348756&site=ehost-live
Dempster, A. M. (2008). An Operational Risk Framework for the Performing Arts and Creative Industries. Creative Industries Journal, 1(2), 151–170. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=41994708&site=ehost-live
Ebbers, J. J., & Wijnberg, N. M. (2017). Betwixt and between: Role conflict, role ambiguity and role definition in project-based dual-leadership structures. Human Relations, 70(11), 1342–1365. https://doi.org/10.1177/0018726717692852
Elstad, B., & De Paoli, D. (2014). Organisering og ledelse av kunst og kultur (2. utg). Cappelen Damm akademisk.
Fischer, B., & Boynton, A. (2005). Virtuoso Teams. Harvard Business Review, 83(7), 116–123. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=17602045&site=ehost-live
Gillet, C., & Sheehan, J. (2017). The production manager’s toolkit: successful production management in theatre and the performing arts. Routledge. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1290157
Goodman, R. A., & Goodman, L. P. (n.d.). Some Management Issues in Temporary Systems: A Study of Professional Development and Manpower--The Theater Case. Administrative Science Quarterly, 21(3), 494–501. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4014386&site=ehost-live
Grillo, M. (2016). Production management. In The Movie Business Book (Fourth edition, pp. 223–243). Focal Press. https://ebookcentral.proquest.com/lib/bilibrary/reader.action?docID=4626287&ppg=248
Hargadon, A. B., & Bechky, B. A. (2006). When Collections of Creatives Become Creative Collectives: A Field Study of Problem Solving at Work. Organization Science, 17(4), 484–500. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21898765&site=ehost-live
Hurley, R. F. (2006). The Decision to Trust. Harvard Business Review, 84(9), 55–62. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21882950&site=ehost-live
Isaacs, W. (1999). Dialogue and the art of thinking together: a pioneering approach to communicating in business and in life. Currency. https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5337256
Jones, C., & DeFillippi, R. J. (n.d.). Back to the future in film: Combining industry and self-knowledge to meet the career challenges of the 21st century. Academy of Management Executive, 10(4), 89–103. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=3145322&site=ehost-live
Karlsen, J. T. (n.d.). Prosjektledelse: fra initiering til gevinstrealisering (4. utg). Universitetsforl.
Koster, R. (2004). The budget book for film and television (2nd ed). Focal Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=195641
Kramer, R. M. (2009). Rethinking Trust. Harvard Business Review, 87(6), 68–77. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=40210998&site=ehost-live
Lindgren, M., & Packendorff, J. (2007). Performing arts and the art of performing â On co-construction of project work and professional identities in theatres. International Journal of Project Management, 25(4), 354–364. http://www.sciencedirect.com./science/article/pii/S0263786307000075
Løwendahl, B. R., Wenstøp, F., & Chen, S. (2013). Skriv gode oppgaver! (2. utg). Cappelen Damm akademisk.
Mitchell, L. (2009). Production management for television: Vol. Media skills. Routledge. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=266299
Morris, M. (2001). Genius at Work. Harvard Business Review, 79(9), 63–68. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329095&site=ehost-live
Mumford, M. D., Scott, G. M., Gaddis, B., & Strange, J. M. (2002). Leading creative people: Orchestrating expertise and relationships. The Leadership Quarterly, 13(6), 705–750. http://www.sciencedirect.com/science/article/pii/S1048984302001583
Murphy, S. E., & Ensher, E. A. (2008). A qualitative analysis of charismatic leadership in creative teams: The case of television directors. The Leadership Quarterly, 19(3), 335–352. http://www.sciencedirect.com/science/article/pii/S1048984308000301
Pallin, G. (2010). Stage management: the essential handbook (New ed). Nick Hern Books. https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5101804
Pearson, C. M., & Clair, J. A. (1998). Reframing Crisis Management. Academy of Management Review, 23(1), 59–76. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=192960&site=ehost-live
Petter Gottschalk. (2006). Hva er et verdiverksted? Magma, 5. https://www.magma.no/hva-er-et-verdiverksted
Ramaswamy, V., & Gouillart, F. (2010). Building the Co-Creative Enterprise. Harvard Business Review, 88(10), 100–109. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=53878110&site=ehost-live
Reardon, K. K. (2007). Courage as a Skill. Harvard Business Review, 85(1), 58–64. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=23363459&site=ehost-live
Reiter-Palmon, R., & Illies, J. J. (2004). Leadership and creativity: Understanding leadership from a creative problem-solving perspective. The Leadership Quarterly, 15(1), 55–77. http://www.sciencedirect.com./science/article/pii/S1048984303001024
Rizzo, M. (2015). The art direction handbook for film & television (2nd ed). Focal Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=812756
Roberto, M. A., Bohmer, R. M. J., & Edmondson, A. C. (2006). Facing Ambiguous Threats. Harvard Business Review, 84(11), 106–113. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=22671298&site=ehost-live
Rothman, T. (2006). A Chairman’s View. In The Movie business book (3rd ed, pp. 148–159). Open University Press.
Sebenius, J. K. (2001). Six habits of merely effective negotiators. Harvard Business Review, 79(4), 87–95. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4288815&site=ehost-live
Sending, A., & Tangenes, T. (2019). Økonomistyring. Fagbokforl.
Taleb, N. N., Goldstein, D. G., & Spitznagel, M. W. (2009). The Six Mistakes Executives Make in Risk Management. Harvard Business Review, 87(10), 78–81. http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=44284072&site=ehost-live
Terje Gaustad. (n.d.). Sweetening the Deal: To what Extent can Public Funding Attract Private Film Investors? Nordicom Review, 30(2), 179–197. https://doi.org/https://doi.org/10.1515/nor-2017-0158
Wheeler, P. (2005). Practical cinematography (2nd ed). Focal Press. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=130106
Zettl, H. (n.d.). Television production handbook + workbook (11th ed., International ed). Wadsworth Cengage Learning.