Andersson, N.B. (no date) Filmens hjerte: produksjonskontoret. Bergen: Fagbokforl.
Baggerånås, L. et al. (1993) Produksjonsplanlegging og produksjonsledelse i fjernsyn: håndbok for produksjonsledere. Bærum: Vett & Viten ; i samarbeid med Norsk rikskringkasting, Opplæringsavdelingen.
Bechky, B.A. (2006) ‘Gaffers, Gofers, and Grips: Role-Based Coordination in Temporary Organizations.’, Organization Science, 17(1), pp. 3–21. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=19992130&site=ehost-live.
Blair, H. (2001) ‘`You’re only as Good as Your Last Job’: The Labour Process and Labour Market in the British Film Industry’, Work, Employment & Society, 15(1), pp. 149–169. Available at: https://doi.org/10.1177/09500170122118814.
Brook, G. (2005) ‘2004 Student Paper Award Winner : Surviving the Roller Coaster: Worst Practices in Project Management within the Television Production Industry’, Project Management Journal, 36(1), pp. 5–14. Available at: https://doi.org/10.1177/875697280503600102.
Brown, B. (2018) Motion picture and video lighting. Third edition. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5582997.
Caves, R.E. (2003) ‘Contracts Between Art and Commerce.’, Journal of Economic Perspectives, 17(2). Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=10012635&site=ehost-live.
Cialdini, R.B. (2001) ‘Harnessing the Science of Persuasion.’, Harvard Business Review, 79(9), pp. 72–79. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329110&site=ehost-live.
Clevé, B. (2018) Film production management: how to budget, organize, and successfully shoot your film. Fourth edition. New York: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5089135.
Copley, S. and Killner, P. (2001) Stage management. Marlborough: Crowood.
Daft, R.L. (2012) ‘Structural design for organizations’, in Understanding the theory & design of organizations. 11th ed. Australia: South-Western, pp. 68–119.
De Paoli, D. (no date) ‘Virtual organizations – a call for new leadership’, in Leadership in spaces and places. Cheltenham: Edward Elgar, pp. 109–127. Available at: https://ebookcentral.proquest.com/lib/bilibrary/reader.action?docID=3563687&ppg=121.
DeFillippi, R.J. and Arthur, M. (no date) ‘Paradox in Project- Based Enterprise: The case of film making’, California Management Review, 40(2), pp. 125–139. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=348756&site=ehost-live.
Dempster, A.M. (2008) ‘An Operational Risk Framework for the Performing Arts and Creative Industries.’, Creative Industries Journal, 1(2), pp. 151–170. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=41994708&site=ehost-live.
Ebbers, J.J. and Wijnberg, N.M. (2017) ‘Betwixt and between: Role conflict, role ambiguity and role definition in project-based dual-leadership structures’, Human Relations, 70(11), pp. 1342–1365. Available at: https://doi.org/10.1177/0018726717692852.
Elstad, B. and De Paoli, D. (2014) Organisering og ledelse av kunst og kultur. 2. utg. [Oslo]: Cappelen Damm akademisk.
Fischer, B. and Boynton, A. (2005) ‘Virtuoso Teams’, Harvard Business Review, 83(7), pp. 116–123. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=17602045&site=ehost-live.
Gillet, C. and Sheehan, J. (2017) The production manager’s toolkit: successful production management in theatre and the performing arts. London: Routledge. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1290157.
Goodman, R.A. and Goodman, L.P. (no date) ‘Some Management Issues in Temporary Systems: A Study of Professional Development and Manpower--The Theater Case.’, Administrative Science Quarterly, 21(3), pp. 494–501. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4014386&site=ehost-live.
Grillo, M. (2016) ‘Production management’, in The Movie Business Book. Fourth edition. New York: Focal Press, pp. 223–243. Available at: https://ebookcentral.proquest.com/lib/bilibrary/reader.action?docID=4626287&ppg=248.
Hargadon, A.B. and Bechky, B.A. (2006) ‘When Collections of Creatives Become Creative Collectives: A Field Study of Problem Solving at Work.’, Organization Science, 17(4), pp. 484–500. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21898765&site=ehost-live.
Hurley, R.F. (2006) ‘The Decision to Trust.’, Harvard Business Review, 84(9), pp. 55–62. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=21882950&site=ehost-live.
Isaacs, W. (1999) Dialogue and the art of thinking together: a pioneering approach to communicating in business and in life. New York: Currency. Available at: https://ebookcentral.proquest.com/lib/bilibrary/detail.action?docID=5337256.
Jones, C. and DeFillippi, R.J. (no date) ‘Back to the future in film: Combining industry and self-knowledge to meet the career challenges of the 21st century.’, Academy of Management Executive, 10(4), pp. 89–103. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=3145322&site=ehost-live.
Karlsen, J.T. (no date) Prosjektledelse: fra initiering til gevinstrealisering. 4. utg. Oslo: Universitetsforl.
Koster, R. (2004) The budget book for film and television. 2nd ed. Amsterdam: Focal Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=195641.
Kramer, R.M. (2009) ‘Rethinking Trust.’, Harvard Business Review, 87(6), pp. 68–77. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=40210998&site=ehost-live.
Lindgren, M. and Packendorff, J. (2007) ‘Performing arts and the art of performing â On co-construction of project work and professional identities in theatres’, International Journal of Project Management, 25(4), pp. 354–364. Available at: http://www.sciencedirect.com./science/article/pii/S0263786307000075.
Løwendahl, B.R., Wenstøp, F. and Chen, S. (2013) Skriv gode oppgaver! 2. utg. [Oslo]: Cappelen Damm akademisk.
Mitchell, L. (2009) Production management for television. London: Routledge. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=266299.
Morris, M. (2001) ‘Genius at Work.’, Harvard Business Review, 79(9), pp. 63–68. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=5329095&site=ehost-live.
Mumford, M.D. et al. (2002) ‘Leading creative people: Orchestrating expertise and relationships’, The Leadership Quarterly, 13(6), pp. 705–750. Available at: http://www.sciencedirect.com/science/article/pii/S1048984302001583.
Murphy, S.E. and Ensher, E.A. (2008) ‘A qualitative analysis of charismatic leadership in creative teams: The case of television directors’, The Leadership Quarterly, 19(3), pp. 335–352. Available at: http://www.sciencedirect.com/science/article/pii/S1048984308000301.
Pallin, G. (2010) Stage management: the essential handbook. New ed. London: Nick Hern Books. Available at: https://ebookcentral.proquest.com/lib/bilibrary/detail.action?pq-origsite=primo&docID=5101804.
Pearson, C.M. and Clair, J.A. (1998) ‘Reframing Crisis Management.’, Academy of Management Review, 23(1), pp. 59–76. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=192960&site=ehost-live.
Petter Gottschalk (2006) ‘Hva er et verdiverksted?’, Magma [Preprint], (5). Available at: https://www.magma.no/hva-er-et-verdiverksted.
Ramaswamy, V. and Gouillart, F. (2010) ‘Building the Co-Creative Enterprise.’, Harvard Business Review, 88(10), pp. 100–109. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=53878110&site=ehost-live.
Reardon, K.K. (2007) ‘Courage as a Skill.’, Harvard Business Review, 85(1), pp. 58–64. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=23363459&site=ehost-live.
Reiter-Palmon, R. and Illies, J.J. (2004) ‘Leadership and creativity: Understanding leadership from a creative problem-solving perspective’, The Leadership Quarterly, 15(1), pp. 55–77. Available at: http://www.sciencedirect.com./science/article/pii/S1048984303001024.
Rizzo, M. (2015) The art direction handbook for film & television. 2nd ed. New York: Focal Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=812756.
Roberto, M.A., Bohmer, R.M.J. and Edmondson, A.C. (2006) ‘Facing Ambiguous Threats’, Harvard Business Review, 84(11), pp. 106–113. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=22671298&site=ehost-live.
Rothman, T. (2006) ‘A Chairman’s View’, in The Movie business book. 3rd ed. Maidenhead: Open University Press, pp. 148–159.
Sebenius, J.K. (2001) ‘Six habits of merely effective negotiators’, Harvard Business Review, 79(4), pp. 87–95. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=4288815&site=ehost-live.
Sending, A. and Tangenes, T. (2019) Økonomistyring. Bergen: Fagbokforl.
Taleb, N.N., Goldstein, D.G. and Spitznagel, M.W. (2009) ‘The Six Mistakes Executives Make in Risk Management.’, Harvard Business Review, 87(10), pp. 78–81. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=44284072&site=ehost-live.
Terje Gaustad (no date) ‘Sweetening the Deal: To what Extent can Public Funding Attract Private Film Investors?’, Nordicom Review, 30(2), pp. 179–197. Available at: https://doi.org/https://doi.org/10.1515/nor-2017-0158.
Wheeler, P. (2005) Practical cinematography. 2nd ed. Amsterdam: Focal Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=130106.
Zettl, H. (no date) Television production handbook + workbook. 11th ed., International ed. Australia: Wadsworth Cengage Learning.